Contemporary dance – Critics Republic

KL 1 - Photo by Taka Chang - Desolation amid meaningless papers (2)

28th August 202428th August 2024Bilqis Hijjas

New Stages in Her Life: Loke Soh Kim’s ‘A World in the City’

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3rd April 20233rd April 2023Bilqis Hijjas

The Futures of a Coconut, and Other Bodies, in ‘Beyond Moving with Artisans’

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11th January 202311th January 2023Bilqis Hijjas

Bodies That Just Won’t Quit: Dancers at Their Peak in ‘Psychosynthesis’

KonTra Asirvatham - ChanKienMing&leggoshoot4

22nd November 202222nd November 2022Bilqis Hijjas

Count Your Blessings, Keep ’Em Coming: ‘KonTra: Asirvatham’ at klpac

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17th June 202218th June 2022Bilqis Hijjas

Disjointed but Dancing: Anggota’s Unconventional Connections to Pleasure

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26th March 202026th March 2020Bilqis Hijjas

A Very Malaysian Mob: A Review of ‘In Transit’

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7th February 20207th February 2020Anonymous

Masculinity and Beyond: A Review of ‘Woman on Man on Men’

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17th January 202022nd January 2020Leng Poh Gee

Umpama Rebung Melentur: Ulasan Kejuaraan Tari Kanak-kanak Malaysia

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12th August 201912th August 2019Bilqis Hijjas

Conscious Couplings for a Career: A Review of Kenny Shim’s ‘Mix Bill’

Wave of Waste I

13th May 20191st August 2019Leng Poh Gee

Keinsafan, Perjuangan, dan Kesyukuran: Ciptaan Tari Kontemporari di PenTAS 2019, UPSI

22nd July 201831st July 2019Leng Poh Gee

How has your time been used? A review of ‘22 a.m. – 65 p.m.?’

Kimberly Yap, centre, in James Kan's 'Utopia'. Photo: Huneid Tyeb.

24th October 201524th October 2015Joelle Jacinto

Best Face Forward: ADC’s Impressive Company Repertoire