A Senior Dancer’s Eloquence: Reviewing Aman Yap’s Solo ‘Late Love’
The Growth of an Artist; The Growth of a Space — A Review of Works by Ernest Zacharevic at Hin Bus Depot
Speaking the Body through Dance – A Review of 𝘈𝘯𝘨𝘨𝘰𝘵𝘢 2: 𝘙𝘦-𝘔𝘦𝘮𝘣𝘦𝘳
Coming Out Strong – A Review of ‘Amma Chellam’
A Tribute to a Leader, a Snapshot of the Scene: Ballet in Malaysia at Festival of Dance VIII
The Futures of a Coconut, and Other Bodies, in ‘Beyond Moving with Artisans’
Bodies That Just Won’t Quit: Dancers at Their Peak in ‘Psychosynthesis’
The Pink Nanyang: A Casual Review of ‘Drumhouse’ [“鼓典南洋”之粉色南洋]
Count Your Blessings, Keep ’Em Coming: ‘KonTra: Asirvatham’ at klpac
An Imperfect Mirror Reflects the Past in ‘Opium at Closing Time’
The Glorious Tones of Choral Theatre in ‘Dark Light’ by the Young KL Singers
Daripada Arkib Menjadi Repertoir – ‘A Notional History’
TU7OH: Seven Narratives by Penang Artists
